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北京时间4月21日中国男子篮球职业联赛 8进4,北京控股对阵北京北汽。    

A short drama crew films a wedding-themed scene at a traditional residence in Yuanqiao village. Photo: Courtesy of Yuanqiao village
    A short drama crew films a wedding-themed scene at a traditional residence in Yuanqiao village. Photo: Courtesy of Yuanqiao village
Yang Ni, a villager from Yuanqiao in Dengfeng, Central China's Henan Province, still remembers the nervous excitement of facing a slowly advancing camera for the first time. Now, she shifts with ease between roles, from a maidservant trailing a heroine in a historical drama to a famine-struck villager before the People's Republic of China was set up in 1949. 
Experiencing so many lives within various screenplays, Yang said that short dramas have transformed not only her life, but also the ancient village she calls home.
Yuanqiao, a small village with a history that traces back over 600 years, has welcomed more than 70 short drama crews in recent years. The creators have captured every angle of the village's traditional courtyards, winding alleys, and gently rising cooking smoke. Locals have grown used to exchanging their daily farm clothes for costumes between busy seasons, giving life to lively townsfolk on vertical screens.
Yuanqiao village's revitalization is not just a story told through the camera lens. Si Jianbin, responsible for short drama coordination in the village, told the Global Times that the changes brought by short drama filming are visible in many ways. 
With traditional buildings serving as natural film sets, once-abandoned houses, crumbling village walls, and old opera stages have been repaired and preserved. This has renewed villagers' sense of cultural stewardship. The arrival of drama crews has also broadened job opportunities for local youth; more young people are now choosing to stay or return home, breathing new life into the village.
Si noted that challenges also persist. The swift rise of AI-generated dramas is reducing demand for real-life shoots, and the number of visiting productions in the village has started to drop. Still, Si remains confident, noting that the village's authentic architecture meets the growing demand for high-quality short dramas. He said that leveraging this unique match will secure a promising future for revitalizing rural areas through film.
Changed villages

"For years, I only saw our old houses as broken-down obstacles; after filming, I realized every brick and tile is our cultural heritage," Yang said. Having played a background actor in numerous dramas - from period pieces to modern stories - she and her neighbors now see their ancient city walls, opera stages, temples, and homes through new eyes.
Some once-vacant houses have found new purpose as meticulously arranged sets, bearing witness to love stories or family feasts. One courtyard, frequently appearing in short dramas, is adorned with red lanterns and paper cuttings to express joy. Villagers redecorate it for shoots, blending cheerful ambiance with authentic period feel.
Today, Yuanqiao's residents - all from toddlers to seniors, even family donkeys and dogs - have become "stars" on camera. People farm during the busy season, then slip into costumes to perform, seamlessly shifting between fields and film sets.
Younger villagers have found new skills and work too. Si noted that more than half of local youth have acted as extras, with some job-seeking college graduates now learning editing and computer skills from the drama teams, opening the door to steady work in short film production.
The economic benefits for the village are clear. Si pointed out that village income grew from 4 million yuan ($593,330) in 2024 to over 5 million in 2025, a 20 percent of increase thanks to short drama filming. Most villagers have seen their annual incomes rise by around 5,000 yuan as a result.
Traditional crafts once on the verge of disappearing - such as paper-cutting and basket-weaving - are also reviving. Villager An Qing'e, known for her hand-woven flower baskets, was discovered by a filming crew and soon found online customers for her props.
Tourists, too, are seeing the village in a new light, as site visiting becomes an immersive experience. They are no longer fleeting passersby, but participants in the living stories of the ancient village. 
The sets created for filming repurpose historical spaces, allowing visitors to step into the joys and sorrows of different eras.
This phenomenon is not limited to Yuanqiao village. The unique needs of rural and historical short dramas perfectly match the spaces and cultural resources of China's villages. Other places, such as Hujiaxi in Yuanling county, Central China's Hunan Province, and Nanhu in Jinyun county, East China's Zhejiang Province, are attracting drama crews and experimenting with a rural revitalization approach combining short drama with agricultural and cultural tourism.
Seeking the irreplaceable
Still, the path for rural short dramas is being tested by the realities of the market. 
The rise of AI-generated content is quickly diverting orders away from real-location shoots. Si said that after peaking at 35 crews in 2025, the number shrank to one or two per month in Yuanqiao village by 2026.
Even so, Si sees a hopeful future. While AI short dramas win on low-cost virtual settings, China continues to encourage the creation of well-crafted real-life dramas through supportive policies. 
There is a lasting appeal in the atmosphere, sense of history, and human vitality that only real villages can provide - qualities virtual images cannot match. As audiences and studios increasingly seek authenticity and quality sets, villages like Yuanqiao have lasting room to grow.
Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times that the rise of AI-generated short dramas is reshaping the industry. However, this does not mean villages will lose out on the benefits brought by filming. On the contrary, when the bubble fades, truly valuable villages may be in even greater demand. 
Their core competitiveness is not just cheaper venues, Zhang explained, but their unique local culture, authentic lifestyle, and the fusion of online and offline tourism experiences.
"To keep these benefits, villages should not compete with AI on cost and efficiency," Zhang noted. "Instead, they must redefine their own irreplaceability in the production chain."
Ding Daoshi, a veteran internet analyst, offers a word of caution: short dramas change fast, and their impact rarely lasts as long as movies or TV series. For villages, the key to sustainable development is leaning on their unique heritage and not just short dramas. 
By finding their own irreplaceable assets and combining them with the energy of film, they can secure their future for the long haul.
。半场北控47-53北京,最终北控95-112北京。北京控股格兰特-里勒27分4板7助,朱松玮17分2板;北京北汽尤金-杰曼25分3板6助,陈盈骏18分3板7助。


第一节,范子铭肘击特莱斯,后者痛苦倒地,首钢4-4北控


第一节,陈盈骏妙传顺下所罗门双臂暴扣,首钢8-4北控


第一节,陈盈骏、翟晓川接连三分领先两位数,首钢18-8北控



第一节,翟晓川假手递手冲入内线拉杆终结,首钢20-9北控


第一节,陈盈骏超高难度压哨后仰中距离,首钢25-19北控


第一节,杰曼、里勒对飙三分,首钢23-15北控


第一节,廖三宁冲框面对曾凡博追击单臂劈扣砸飞,首钢27-21北控


第二节,朱松玮抢断一条龙超远起飞上篮终结,首钢36-30北控


第二节,真有默契,范子铭再度连线所罗门空接暴扣,首钢42-34北控


第二节,里勒顶翻防守人随后空中对抗将球打进,首钢50-47北控


第二节,最后一攻杰曼拉开单打撤步压哨三分,首钢53-47北控


第三节,所罗门不看人妙传范子铭轻松吃饼,首钢59-51北控


第三节,杰曼面对多人围堵冲框抛投压哨命中,首钢61-56北控


第三节,杰曼单打里勒撤步后仰三分领先13分,首钢69-56北控


第三节,曾凡博反击遭孟子凯拉拽倒地,后者违体犯规累积之前技犯遭驱逐


第三节,最后一攻杰曼突分纳托尔压哨三分命中,首钢81-66北控


第四节,领先20分了,纳托尔高打板上篮命中,首钢86-66北控


第四节,翟晓川连续两记三分点燃全场,首钢94-75北控



第四节,曾凡博突破摆臂肘到朱松玮面部


第四节,里勒压哨空位三分追至10分分差,首钢96-86北控


第四节,曾凡博左翼扬手三分稳住局面,首钢102-88北控


第四节,比赛收尾段陈国豪、曾凡博互献暴扣



赛况

第一节北控格兰特-里勒拿下8分,北京陈盈骏拿下9分,首节战罢北控21-29落后北京

第二节北控格兰特-里勒拿下10分,北京陈盈骏拿下6分,半场结束北控47-53落后北京

第三节北控贾里德-萨林杰拿下7分,北京范子铭拿下6分,第三节结束北控66-81落后北京

第四节北控陈国豪拿下11分,北京翟晓川拿下8分,最终北控95-112不敌北京
球员全场数据

北京控股格兰特-里勒27分4板7助1断,朱松玮17分2板3断,贾里德-萨林杰15分7板;

北京北汽尤金-杰曼25分3板6助,陈盈骏18分3板7助3断,翟晓川15分5板1助1断。
首发阵容

北京控股:格兰特-里勒,朱松玮,陈国豪,沈梓捷,特拉维斯;

北京北汽:尤金-杰曼,陈盈骏,理查德-所罗门,雷蒙,范子铭。

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